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![](http://webantiga.teatrelliure.com/sites/default/files/styles/foto_fitxa_espectacle/public/espectacles/imatges/dies_2.jpg?itok=aB3ZaA3-)
cast
Òscar Molina Willie / Emma Vilarasau Winnie
Catalan translation Sergi Belbel / set Max Glaenzel / costumes Nina Pawlowsky / make up Toni Santos / lighting Kiko Planas / sound Jordi Bonet
director assitant Antonio Calvo / trainee setting from the Institut del Teatre Federico Materasi
set up made by Tallers d'escenografia Jordi Castells
Barbara Ogar from the Akademia Teatralia Im. A. Zelwerowicza in Warsaw has been attended to the rehearsals
produced by Teatre Lliure
show in Catalan
length first part 1h. 5' / interval 10' / second part 30'
hand programme in Braille language avalaible at the box office
debate with the artistic crew after the show on 05/25
play recommended by the Servei Educatiu del Teatre Lliure
Horaris
from Tuesday to Friday | 20:30 |
Saturday | 21:00 |
Sunday | 18:00 |
Preus
tariff a | |
Tuesday and Wednesday (audience days) |
22€ |
the rest of days | 29€ |
with discount* (except the audience days) |
24,50€ |
*15% discount with the Carnet Jove, + 25, students, under 14s, senior citizens, unemployed, disabled, large families and single parent families, TNC and Mercat de les Flors subscribers, TR3SC, local regional libraries and theatres. To the La Vanguardia subscribers, the discount is only avalaible at the box office.
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Els dies feliços
© Ros Ribas
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Els dies feliços
© Ros Ribas
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Els dies feliços
© Ros Ribas
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Els dies feliços
© Ros Ribas
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Els dies feliços
© Ros Ribas
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Els dies feliços
© Ros Ribas
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Els dies feliços
© Ros Ribas
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Els dies feliços
© Ros Ribas
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Els dies feliços
© Ros Ribas
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Els dies feliços
© Ros Ribas
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Els dies feliços
© Ros Ribas
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Els dies feliços
© Ros Ribas
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Els dies feliços
© Ros Ribas
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Els dies feliços
© Ros Ribas
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Els dies feliços
© Ros Ribas
Emma Vilarasau is directed by Sergi Belbel to become Winnie, Beckett's character that perhaps best expresses the tenacity of life in the face of fragility and the passing of time.
"Like the great classics of history, the play changes and improves with time. Happy days is one of those texts that should be performed every five or ten years, and acquires new and unpredictable meanings every time. Today, with the profound crisis we are experiencing, there are more and more "Winnies" and "Willies" -people who have been dispossessed, uprooted, evicted, but who are highly visible - on our streets, in the parks, in the squares, sleeping by cash machines... Beckett's greatness consisted of showing the vast humanity of his characters, the struggle to achieve a better world, despite the unquestionable adversity of their surroundings, a bare and bleak desert, lifeless. And this all takes place through small gestures, small phrases, tiny movements, disturbing pauses and a great sense of humour - a style which used to be called the absurd and which now, with time, has taken on a completely revealing meaning. "
Dies de funció
![](http://webantiga.teatrelliure.com/sites/default/files/espectacles/imatges/diesfuncio/27.diesfelicos.days_.gif)