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Ferran Carvajal / Francesc Orella
veus en off Andreu Benito / Carles Martínez / Xicu Masó / Vicenta Ndongo
translation Rodolf Sirera / adaptation Carles Alfaro and Rodolf Sirera / set and lighting Carles Alfaro / costumes María Araujo / make up Toni Santos / sound space José Antonio Gutiérrez / sound Roc Mateu / audiovisuals Martín Elena
director assistant Paula Mariscal / setting assistant María de Frutos / technical coordination Jaume Ventura / trainee from Màster Oficial Interuniversitari d’Estudis Teatrals MÍriam Lleó / management Nati Sarriá / management director Josep Domènech
set up made by Castells i Planas
co-produced by Teatre Lliure and EL CANAL - Centre d'Arts Escèniques Salt/Girona
thanks to Andreu Benito, Carles Martínez Xicu Masó and Vicenta Ndongo
show in Catalan from L’Étranger de Albert Camus © Éditions Gallimard for the original novel
approximate length 1h. 30’ no interval
debate with the artistic crew after the show on 04/28
school performance on 04/30 at 17:00
play recommended by the Servei Educatiu del Teatre Lliure
| Tuesday to Friday | 20:30 |
| Saturday | 21:00 |
| Sunday | 18:00 |
on Tuesday 30/04, the show is at 17:00 (school performance)
debate with the artistic crew after the show on 04/28
| tariff a | |
| Wednesday (the audience day) | 19,05€ |
| the rest of days | 28€ |
|
con descuento* with discount* (except the audience day) |
23,55€ |
*15% discount with the Carnet Jove, + 25, students, under 14s, senior citizens, unemployed, disabled, large families and single parent families, TNC and Mercat de les Flors subscribers, TR3SC, La Vanguardia subscribers, local regional libraries and theatres
Meursault, the protagonist of L'Etranger, Camus' first novel, has committed an incomprehensible crime: he has killed an Arab in cold blood, after an incident in which he was only indirectly involved. But in fact, what brings Meursault to the guillotine is not that particular crime but his indifference to life, his inability to assimilate and accept the code of values and patterns of behaviour of the society in which he lives. Meursault could rebel against it, but rebelling would after all mean taking action, taking sides.
