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Carles Martínez Anton / Albert Pérez Daunis / Marc Rodríguez Miki
translation from English language Ernest Riera i Arbussà / set Paco Azorín / costumes María Araujo / lighting August Viladomat / sound Igor Pinto / graffiti Olmo Di Gesú
director assistant Llàtzer Garcia / setting assistant Jordi Soler / trainee setting from the Institut del Teatre Estanis Aboal
set up made by Arts-Cènics S.L.
produced by Teatre Lliure
has been attended to the rehearsals Elisa Banal from the Universitat de Barcelona and Barbara Ogar from the Akademia Teatralia Im. A. Zelwerowicza in Warsaw
show in Catalan
approximated length 1h. 35' no interval
debate with the artistic crew after the show on 03/02
hand program in Braille language avalaible at the box office
play recommended by the Servei Educatiu del Teatre Lliure
| from Wednesday to Friday | 21:00 |
| Saturday | 18:00 and 21:30 |
| Sunday | 18:30 |
| tariff a | |
|
Wednesday and Saturday afternoon (audience days) |
22€ |
| the rest of days | 29€ |
|
with discount* (except the audience days) |
24,65€ |
*15% discount with the Carnet Jove, + 25, students, under 14s, senior citizens, unemployed, disabled, large families and single parent families, TNC and Mercat de les Flors subscribers, TR3SC, local regional libraries and theatres. To the La Vanguardia subscribers, the discount is only avalaible at the box office.
Xicu Maso directs the play that paved the way for the success of the English playwright Harold Pinter, who received the Nobel Prize for Literature in 2005. A short distance comedy more current than ever.
Aston invites Davies to his home after a fight in a bar, and offers him temporary accommodation, because he has no money, no home or papers. Soon, however, he reveals himself to be an opportunistic, parasitic unpleasant old man, who complains about everything and is overtly racist. Mick, Aston's brother and the owner of the house, appears to be irritated by Davies' presence and speaks to him roughly. Aston then suggests to Davies that he becomes the caretaker of the building.
