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cast
Andreu Benito and Joan Carreras
set Max Glaenzel and Raquel Bonillo / costumes Berta Riera / lighting August Viladomat
director assistant Jordi Puig "Kai" / management Jordi Puig "Kai", Titus Andrònic S.L. and Trànsit Projectes / agent MOM/El Vivero
co-produced by Teatre Lliure and Heartbreak Hotel
with the involvement of the Teatro de La Abadía
with the collaboration of Teatro de La Abadía, La Biennale di Venezia and Trànsit Projectes
thanks to Carles Briones
El policía de las ratas was opening on August 2 2013 under La Biennale di Venezia
Part of the process of creating the show was held at the Berlin Schaubühne under the FIND FESTIVAL 2013
show in Spanish
length 55' no interval
hand program in Braille language avalaible at the box office
debate with the artistic crew after the show on 11/10
play recommended by the Servei Educatiu of the Teatre Lliure
11/06 school performance at 17:00
| from Wednesday to Friday | 20:30 |
| Saturday | 17:30 and 21:00 |
| Sunday | 18:00 |
| tariff a | |
|
Wednesday and Saturday afternoon (audience days) |
22€ |
| the rest of days | 29€ |
|
with discount* (except the audience days) |
24,65€ |
*15% discount with the Carnet Jove, + 25, students, under 14s, senior citizens, unemployed, disabled, large families and single parent families, TNC and Mercat de les Flors subscribers, TR3SC, local regional libraries and theatres. To the La Vanguardia subscribers, the discount is only avalaible at the box office.
The relationship between Àlex Rigola and the work of Roberto Bolaño is both profound and fruitful. After the acclaimed adaptation of 2666 comes this story, which was conceived at the Berlin Schaubühne and premiered at the Venice Biennale.
El policía de las ratas [Police Rat] is a thriller and a detective story about difference and art. It is a tale that pays homage to, challenges and ultimately surpasses the dramatic tension of Kafka's short story Josephine the Singer, or the Mouse Folk. It is at times like the present, when we are seen more as a controlled mass (which is traded and manipulated) than as human beings, when we most need to reclaim the space for each person's individual and creative brilliance. Rather than merely being an accounting entry for the political and economic powers that be. The "individual", "unusual" and "strange" must also coexist with the collective.
