Hamlet
cast Eduard Farelo Claudius / Pol López Hamlet / Xicu Masó Polonius, gavedigger / Rosa Renom Gertrude / Marc Rius Laertes, Guildernstern / Maria Rodríguez Ophelia / Pau Vinyals Horatio, Rosencrantz
setting Sebastià Brosa and Pau Carrió / costumes and props Silvia Delagneau / make up Toni Santos / lighting Raimon Rius / sound Igor Pinto / movement advisor Anna Rubirola
director assistant Bernat Pons / setting and costumes assistant Laura Clos ‘Closca’ / trainee direction of thel Màster Universitari d'Estudis Teatrals (MUET) Carles Molero
set up made by Jorba Miró
produced by Teatre Lliure
thanks to Jordi Carrió and Marina Garcés
show in Catalan
approximate length firts part 1h. 45’ / interval 20’ / second part 45’
03/27 debate with the company after the show
broadcast LIVE! from 21h. aprox. on the web site
performance recommended by the Servei Educatiu del Teatre Lliure
04/05 school performance at 16:30
follow #hamlet on twitter
from Tuesday to Friday | 20:30 |
Saturday | 21:00 |
Sunday | 18:00 |
tariff a | |
general ticket | 29€ |
advanced sales (before the premiere) |
26€ |
Tuesday and Wednesday (the audience days) |
22€ |
NEW! Subscriber’s Flat Rate |
20€ |
with discount* (except on the audience days) |
24,50€ |
NEW! Carnet Jove and under 25s tariff top row (on certain performances) |
15€ |
*15% discount with the card senior citizens, unemployed, disabled, large families and single parent families, TNC and Mercat de les Flors subscribers, TR3SC, local regional libraries and theatres. To the La Vanguardia subscribers, the discount is only avalaible at the box office.
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The great Shakespearean anti-hero comes to the Lliure to once again put his undeniable and contemporary human profoundness to the test. Without Shakespeare we are nothing. Without Hamlet, we are nobody. Directed by Pau Carrió.
Butaca Price 2016 to the Actor (Pol López)
What is happening to us? Why do we bear the whips and scorns of time, the oppressor's wrong, the proud man's contumely, the pangs of despised love, the law's delay, the insolence of office and the spurns that patient merit of the unworthy takes? Will more foul deeds arise? Though all the earth o'erwhelm them, to men's eyes? Do we need more proof evidence? Is it conscience that makes cowards of us all and the native hue of resolution become sicklied o'er with a pale cost of thought, and enterprises of great pith and moment with this regard their currents turn awry, and lose the name of action? Does fear hold us back? Are we princes in Elsinore? Are we, or are we not?
We are - perhaps talking about of my generation - aware that something is rotten in the kingdom, the prevailing corruption, we know that one can smile, and smile, and be a villain. Like in prison, we have no way out, and all these things makes us feel angry and puzzled at the same time. We wonder what we should do. We would like to formulate the correct answers and actions in this situation. And when we stop to consider how to do it, we repeatedly come across contradictions that we are unable to overcome. We are unable to decide upon our role, because we do not believe this revenge tragedy. We are Hamlet.
Pau Carrió