Escola de pensament
SALA ONLINE
May 19 & June 9
Escola de pensament
May 19 session 6
EL CORATGE I LA REPRESENTACIÓ. SARAJEVO, 1993
guests Alfonso Armada and Haris Pašović
presents and energizes Albert Lladó
produced by Teatre Lliure
June 9 session 7
L’HUMOR COM A ACCIÓ DIRECTA. ESCENA I TRANSGRESSIÓ
guests Benet Casablancas and Pepa Plana
presents and energizes Marina Garcés
produced by Teatre Lliure
We return to the sessions of Escola de pensament [School of thought] with two exceptional performances - one in May and the other in June.
A recording of the first will be broadcast, and the second will be broadcasted live on our YouTube
If do you want to take part on the debate, just follow zoom
free / on Tuesday from 18:30 to 20:00
EL CORATGE I LA REPRESENTACIÓ. SARAJEVO, 1993 [COURAGE AND REPRESENTATION. SARAJEVO, 1993]
An analysis of theatre as an act of bravery and humanising resistance. Haris Pasovic is the director of the East West Theater Company in Sarajevo, and Alfonso Armada is a writer, playwright and war journalist, who covered the armed conflict in the Balkans.
L’HUMOR COM A ACCIÓ DIRECTA. ESCENA I TRANSGRESSIÓ [HUMOUR AS DIRECT ACTION. THE STAGE AND TRANSGRESSION]
The clown Pepa Plana, winner of the National Culture Award and an international benchmark in the clown world, whose previous shows have included Paradís pintat [Painted paradise] and Veus que no veus [Now you see it, now you don't], talks to the composer Benet Casablancas, author of the essay El humor en la música [Humour in music], whose opera L’enigma di Lea [Lea's enigma], on how parody and irony can fight against any temptation towards Manichaeism, has recently premièred.
An analysis of theatre as an act of bravery and humanising resistance. Haris Pasovic is the director of the East West Theater Company in Sarajevo, and Alfonso Armada is a writer, playwright and war journalist, who covered the armed conflict in the Balkans.
L’HUMOR COM A ACCIÓ DIRECTA. ESCENA I TRANSGRESSIÓ [HUMOUR AS DIRECT ACTION. THE STAGE AND TRANSGRESSION]
The clown Pepa Plana, winner of the National Culture Award and an international benchmark in the clown world, whose previous shows have included Paradís pintat [Painted paradise] and Veus que no veus [Now you see it, now you don't], talks to the composer Benet Casablancas, author of the essay El humor en la música [Humour in music], whose opera L’enigma di Lea [Lea's enigma], on how parody and irony can fight against any temptation towards Manichaeism, has recently premièred.
