Cúbit
Josep Maria Miró / La Ruta 40
MONTJUÏC
11/13 to 12/01
Cúbit
cast Anna Azcona, Alberto Díaz, Albert Prat and Sergi Torrecilla
authorship and direction by Josep Maria Miró / setting and costumes Xesca Salvà / lighting August Viladomat / sound space Joan Solé
director asssitant Roger Vila / management Maria G. Rovelló
set up made by Punt de Fuga
and the teams of the Teatre Lliure
co-produced by Mithistòrima Produccions/La Planeta and La Ruta 40
with the support of the Temporada Alta – Festival de Tardor de Catalunya Girona/Salt, la Nau Ivanow and L’Excèntrica
La Planeta is subsidied by the ICEC, l’Ajuntament de Girona and the Diputació de Girona
thanks to Oscar and Vito Machancoses; Ignasi, Aleix and Adrià Guasch; family Reixach, Cristina Cervià, Matthieu Verhelst, Roberto G. Alonso, TNC, Ajuntament de Cornellà de Llobregat/Factoria SI., Jaume Ulled and David Menéndez
A show about memory and construction of the story that was in the Espai Lliure on season 16/17 after a play by Josep Maria Miró.
BBVA Theater Price 2017 to the Best Actress to Anna Azcona.
Espai Lliure / Wednesday to Saturday 20:00 / Sunday 18:00
ACCESSIBLE FRIDAY
November 22 and 29 surtitles adapted for people with hearing disabilities (better terrace A)
November 15 audiodescription for people visually impaired
tickets 9€ using the free card Generació Lliure!!
follow on the net @LaRuta40 / #Cúbit
pack 32€ with Reiseführer
1h. 20' no interval
La Ruta 40 is an independent theatre company founded in 2011 which has stable personnel, consisting of Alberto Díaz, Maria G. Rovelló, Albert Prat, Xesca Salvà and Sergi Torrecilla. His work ranges between textual theatre and shows in the creative arts.
This semester the company is in charge of the Espai Lliure programme.
This semester the company is in charge of the Espai Lliure programme.
Josep Maria Miró is a director, playwright and journalist, and his texts have received several awards. They include La travessia (2015), Obac (2014), Estripar la terra (2013), Fum (2012), Nerium Park (2012) and El principi d’Arquímedes (2011).
